Price from $499
For a full list of prices, see below
Price from $499
For a full list of prices, see below
Produce epic and inspiring orchestral film scores.
If you want to learn how to orchestrate for film, television or games using either samples or live players, then look no further than Cinematic Orchestration. Taught by top Hollywood composers and orchestrators, this course will show you how to produce epic and inspiring orchestral film scores using the techniques developed by the film and television industry. This online course gives you a comprehensive training in sampled orchestration as well as over 30 hours of in-depth tutorials with some of the world’s leading session musicians, orchestrators and composers.
- Hours of over-the-shoulder videos showing you exactly how to master the technology and produce stunning orchestral mock-ups.
- Watch as top film orchestrators go from first sketch through to live orchestral recording with our own 50-piece film orchestra.
- Top film Hollywood orchestrators explain how to approach major motion picture and video game projects and produce scores using industry standard practice.
- Access all of the materials online forever, or download them to read/watch/listen to offline – an invaluable resource you’ll be going back to over and over again.
- Top film session musicians explain how to write for their instruments
- Personal feedback on your work from a working professional composer (Gold Edition Only)
What Will I Learn?
- How Each Section of the Orchestra Works – Learn from top film session players with credits like Batman Begins and Star Wars as they explain how to write for their instruments.
- Professional Film Session Skills – Practical professional techniques for creating scores that session musicians can play easily, keeping you on time and on budget and removing the fear of working with live players.
- How film orchestrators get that classic Hollywood sound you know and love – You will learn the techniques that lie behind some of film and games industries best loved orchestral sounds.
- How to create vivid and life like orchestral mockups – How to create an orchestral template, choose sample libraries and produce professional grade sampled orchestration.
Who’s Teaching Me?
Cinematic Orchestration has been created by working professional composers and orchestrators. Watch Nick Raine (Book Thief, Goldeneye 007, Empire Total War), Bill Boston (Cloudy with a Chance of Meatballs) Charles Fernandez (007 Spectre Trailer) and many more showing you how to do what they do best.
We take you right inside the world of the commercial orchestrator and composer to give you the inside information to bring your career to life.
Choose the Gold Edition and get personal feedback on your assignments from a working professional composer or orchestrator, somebody who really knows what’s going on in the business right now and can help you upgrade your music and step up to the next level.
“CO helped my composition skills at every level. The course notes and videos are comprehensive and the tutors are incredibly helpful. I have many years of music production experience in many types of music yet CO helped my sampled mock-ups enormously.”
– Rupert Gibb
“I’ve found that the cinematic orchestration course has guided and encouraged me to dissect every characteristic of individual instruments in detail and then to use them to their full potential.”
– Marie-Anne Fischer
Unit 1 – An Introduction to Cinematic Orchestration
Welcome to our world: Introducing our live orchestra, different approaches to sampled and live scoring and workflow, take-downs and how to orchestrate from audio files.
Unit 2 – Strings 1: Instrument Guide
Top session musicians who played on Iron Man, Kung Fu Panda, The Chronicles Of Narnia, Madagascar 2, Gladiator, Dark Knight and hundreds more, explain how to write for their instruments.
Unit 3 – Strings 2: Composing Techniques
Watch as James Bond orchestrator Nic Raine arranges a piece from scratch in Sibelius, then records his work with our own live string orchestra. Award winning composer Guy Michelmore gives you a detailed look at creating realistic sampled string arrangements.
Unit 4 – Woodwind 1: Instrument Guide
Learn about individual woodwind instruments and how to write for them with top session player Jamie Talbot. How to produce a convincing sampled woodwind section and the library choices available to you.
Unit 5 – Woodwind 2: Composing Techniques
Course orchestrator Nic Raine arranges a piece for woodwind and strings, then records his work with our live orchestra. There’s a real-time sampled scoring demonstration of writing for woodwind and strings with Guy Michelmore.
Unit 6 – Brass 1: Instrument Guide
You’ll take a detailed look at the ranges, articulations, strengths and weaknesses of the individual brass instruments, with top session players with credits from Harry Potter to The Dark Knight.
Unit 7 – Brass 2: Composing Techniques
Brass writing tips, tricks, applications and secrets plus an exclusive master class in swing band writing with prolific arranger Steve Sidwell. Again we arrange a piece from scratch and then record it with our live orchestra. Finally a real-time scoring demonstration of writing for sampled brass with Guy Michelmore.
Unit 8 – Writing for Harp and Percussion
This unit looks at the highly technical area of writing for both harp and percussion. Then we’ll show you how to create that wall of sound percussion track with samples and real-time scoring demonstrations.
Unit 9 – Writing for Small Orchestra
Bringing it all together with specific techniques and considerations for getting the most out of smaller orchestras and ensembles, including a bar-by-bar analysis of The Snowman with the composer, Howard Blake.
Unit 10 – Writing for Large Orchestra
A bar by bar analysis of the Main Titles of Star Wars with Hollywood orchestrator and composer Charles Fernandez followed by live orchestration demonstrations from piano score to final recording of film cues in different styles with Nic Raine. The unit concludes with a detailed guide on how to create that epic orchestral sound just by using samples.
Unit 11 – Working with Live Musicians
From sequencer to score, we’ll show you how to take a MIDI demo and turn it into a performable piece of music. We’ll also explore the million and one things you need to know about preparing scores, parts, backing tracks, click tracks, running orders, mix minuses, Pro Tools session and a lot more besides.
Bonus 1: The Complete Guide To Sampled Orchestration
Everything you need to know about how sampling works, the technology, the libraries and the developers; it’s all included in this bonus unit. There are demonstrations and video tutorials of everything including: how to use multiple articulations and controllers, MIDI performance techniques, how to overcome various sample limitations to achieve a realistic sound, plus many more. There are also video interviews from Vienna and LA with the men behind both VSL and the EWQL libraries and more!
Bonus 2: String Fingering & Playability Charts
Avoid embarrassing and expensive mistakes like writing unplayable string parts with our detailed fingering charts for each of the different string instruments
If you want to get even more out of your Cinematic Orchestration course then why not upgrade to Gold?
Personal Feedback: Everyone on the course gets to work on real-world professional projects, but only on the Gold course can you send in your work to get personal feedback from a working media composer: Invaluable advice that can set you on the right path, insights that can make all the difference to your career.
Time Requirements: Writing music takes time and each unit will require those students on the gold edition to write up to 5 minutes of music. Depending on how fast you write this could be between 6 and 30 hours per assignment. Once you own the course, you keep it forever, so you can take as long as you need to get the assignments right, but we recommend that you should allow for around 4 hours a week to keep your rate of progress steady.
Even More Project Choices: Select one of a wide range of real-world orchestration projects and get feedback from your tutor.
- Cinematic Orchestration
- Cinematic Orchestration Gold
Our technical requirements are really the minimum you would need to do the job in the real world. That means a computer based sequencer capable of importing enough instruments, virtual or otherwise, to record a demo of your music, and a score-writing program.
You need access to a reliable broadband internet connection to download and stream the course materials, preferably 5Mb/s or better. We need an active email address that can receive emails from us. Course materials are both streamed and downloadable and in total can come to 20Gbs or more so you need at least enough disk space to store the materials as well.
Computer & Software
Quad core computer with at least 8gbs of RAM. A computer based sequencer capable of importing QuickTime movies. These include, Cubase 8, Logic Pro X, Pro Tools, Digital Performer 9, Reaper, Ableton Live. (Also Sibelius, Finale or another score writing programme for Cinematic Orchestration).
Other Musical Equipment
You need enough instruments, virtual instruments, modules or live instruments to record a reasonable demo. This means an audio interface, MIDI keyboard and monitors.
This is not an entry level course. Most students have at least 12 months experience of making music. For most of our courses you do not need to read or write music but you do need to be able to create a piece of music and record it with reasonable fluency. For Cinematic Orchestration and our Harmony courses you do need musical literacy to ABRSM Grade 5 or equivalent standard.
You need to know how your DAW works and be able to record a demo as an audio file in your computer sequencing environment. Media music is increasingly techie and so this is unavoidable I’m afraid.
Downloadable course materials are only enabled after the money-back guarantee has either been waived or expired (30 days after purchase).
Students are required to purchase two scores, John WIlliam’s Star Wars Suite, currently $75.
and Howard Blake’s The Snowman.
Both recordings are available on iTunes and on Spotify. Availability in some countries may vary.
My name is Bradley and I’m the student support manager here at ThinkSpace. If you have any questions that you’d like answering, please don’t hesitate to fill in the contact form below, or email me at email@example.com.