MFA Professional Composition
Video Game & Media Composition

Write music clients want to buy.

In today’s competitive market, you need to be flexible and able to address the widest possible range of opportunities. That’s what this course is all about, equipping you with skills and experience to tackle a wide range of film and television projects from animation to commercials, trailers to feature films. We go even further and more value, giving you the detailed technical and creative skills to succeed in rapidly expanding world of video game music.

Video games are now the largest single sector in the entertainment industry, closely followed by television. We train you to write for both in this wide ranging, challenging, creative and technical preparation to enter the industry as a composer.

Buy a Postgraduate Degree Application pack: $100

There is no other course in the world that offers tutors and support staff as well connected as ThinkSpace, and no offline campus can compete with our wealth of talent from around the globe.


Course Highlights

  • Personal 1-to-1 tuition from top professional composers.
  • Learn how the biggest names in the business go from digital audio workstation to live score.
  • Electives in Pro Tools, Advanced Sibelius, Marketing and Music Business.
  • A real-world approach that combines sampled instruction with live orchestration and score preparation.
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Find out more about our programmes, hear about our open days and taster weeks first and learn more about the career opportunities open to you.

What Will I Learn?

    • Write in a wide variety of styles, using different compositional techniques.
    • Produce professional quality sampled mock-ups.
    • Develop a voice of your own so you can stand out from the crowd.
    • Learn what the market expects, what producers and directors are buying right now, and how to deliver market-focused music.
    • Write faster and more productively so you can hit deadlines and make a living.
    • Master a wide variety of market sectors from animation to trailers, documentary to feature films.
    • You will learn the power of music to tell stories and build character.
    • You will learn different ways of creating an interactive strategy to allow the score to respond seamlessly to the game play.
    • You will learn to use FMOD and WWise to implement your music interactively in fully functional Unity games and game levels, many specially licenced for the course, including commercial releases.
    • Develop your compositional technique and encourage you to explore a wide range of creative approaches.
    • Learn the technical and creative aspects of writing to picture, spotting a film, and working with hit point and markers.
    • Learn about music business, copyright, how to find work, how to pitch, create a demo reel and develop a career.

A Student’s Story: Luke Johnson

Luke is a composer studying the MA in Professional Media Composition. He’s based on the Isle of Wight, with a history in Rock & Pop.

During his studies Luke has advanced his skill set beyond his original comfort zone; moving from writing by ear to understanding music theory, through to writing music for commercial television advertisements!

Luke talks about life as a ThinkSpace student, the benefits of the online campus and collaborating with other students from around the world.

If you are considering a ThinkSpace master’s degree and want to speak directly with one of our current or past students in a similar position as you, then drop us a line and we’ll put you in touch.

Faculty

Claire Fitch

Claire Fitch is a composer and sound-designer who has been working on independent game scores across a wide variety of genres since 2003. Clients have ranged from Intel, AMD, Adobe, Blender and Riverdeep to Forfas, Galway City and Northern Ireland Science Park.

Erik Desiderio

Erik Desiderio has worked on more than fifty films, producing the score for the Academy Award winning film, The Moon and the Son, the Immortals and the multi Emmy Award winning series, The Borgias. Television work includes composing music for Entourage, and the Primetime Emmy Awards. Video game work includes clients such as: Blizzard, Bandai Namco, Nintendo and Cartoon Network Games.

Gina Zdanowicz

Gina Zdanowicz is an Emmy-nominated sound designer and music composer for games, film and TV. A Berklee College alumni, Gina operates her own independent sound studio, Serial Lab Studios. Her work can be heard hundreds of game titles, from award winning AAA to casual such as Just Cause 3, Paladins, Bioshock 2 and The Bureau: XCOM Declassified.

Bill Boston

William Boston has enjoyed a nearly thirty-year career as a media composer, arranger, film music orchestrator and, in recent years, music educator. Orchestration credits include: Star Trek: Enterprise, I, Robot, Zathura: A Space Adventure, Cloudy with a Chance of Meatballs and many others.

Additionally, he has written a number of works for concert performance including pieces for various small chamber ensembles, chamber orchestra, wind ensemble, concert band and percussion solo. Bill was a 1994 recipient of the BMI Pete Carpenter Memorial Fellowship, which included a seven-week internship with television music composer Mike Post.

Erasmus Talbot

Erasmus Talbot has worked for various platforms including all major consoles as well as iOS and PC. In 2013 he won the pitch to compose the soundtrack for Elite Dangerous, a major MMO title, which launched in its first iteration in 2014 but was being developed over 8 years.

In 2014 Erasmus was the first composer to implement a game score using the new middleware Elias, for the Arrowhead’s game Gauntlet. Erasmus currently divides his time between living in Brighton, UK and Stockholm, Sweden.

Charles Fernandez

Charles Fernandez has composed for television series’ such as Disney’s Little Mermaid, Disney’s Aladdin, Universal’s Casper Cartoon Series (for which he 
received two Emmy and one Annie Nomination), Disney’s Doug, 
Disney’s 101 Dalmatians, DreamWorks’ Toonsylvania, Disney’s Bonkers
 and Adult Swim’s Robot Chicken.

Among films he’s written for are Doug’s 1st Movie, Aladdin III, The Pebble and the Penguin, All Dog’s Go To Heaven II, Aladdin and the King of Thieves, All Dogs Christmas Carol, Babes in Toyland, Tom Sawyer, Alvin and the Chipmunks Meet Frankenstein, The New Adventures of Tom Thumb and Thumbelina, Jingle Bells and The Tangerine Bear.

Your Degree

On successful conclusion of your course, you will be awarded a Master of Fine Art degree from the University of Chichester. All UK degrees, including those of the University of Chichester, are recognised worldwide. The qualification is fully accredited in the UK and subject to regular quality control, review and external invigilation to ensure the highest academic standards are maintained.

The graduation ceremony takes place in Chichester each year where you will receive your degree alongside your fellow students and the rest of the University Of Chichester’s graduates.

Student Stories

According to our 2019 Graduate Employment Survey and an amazing 80% of our graduates have found work in their chosen field. This is a fantastic achievement so congratulations to them all!

Our recent students have gone on to work at Mojang, Creative Assembly, Frontier, Dam Busters and many more. Our graduates have worked on the score for Spiderman PS4 and scored the latest Battlefield 1 Apocalypse trailer.

Combined with our 98.3% graduation rate, that means apply to ThinkSpace Eduation gives a really solid basis for anyone hoping to start a career in film composing, orchestration, game music or audio.

Course Content

  • Module 1 - Research Skills

    This is a rich and rewarding module that is closely tied to the practical projects. Designed by leading game music academic, Dr. Tim Summers, this module leads you deeper into the conceptual thinking surrounding games and orchestration. It gives you the research tools to reflect on your own work and to draw more meaningful conclusions about the nature, structure and future of video game audio and music.

  • Module 2 – Elective 1

    A chance to get up to speed with a core skill. Remember, you get full access to all the course materials, on all courses, and all electives so, just because you choose Sampled Orchestration for example, it doesn’t mean you can’t dive into the course materials on Sibelius as well. There is a second elective module later in the course so you may choose a different, second option then.

  • Elective - Sampled Orchestration

    Learn to produce professional grade sampled mock-ups. How to build a large template, efficient use of memory and CPU, techniques for making your mock-ups sound more realistic.

  • Elective - Music Editing

    A transformational skill for any composer and one that can massively increase productivity and therefore income. It’s also an effective way of learning the subtle ways in which music interacts with the moving image.

  • Elective - Wwise

    Learn this widely used piece of middleware and implement your sound and music interactively in game environments. You will learn FMOD, the other major piece of middleware in the next module so choose the WWise elective to get up to speed with both systems.

  • Elective - Cinematic Sound Design

    Learn to create state of the art musical soundscapes using digital audio manipulation and a range of plugins and virtual synths including Serum and Razor.

  • Elective - Music Business: Work and Money

    Everything you need to start making money from your music in film, games and television.

  • Elective - Advanced Sibelius

    How to use this scoring software to produce industry standard orchestral scores and parts.

  • Elective - Pro Tools for Orchestral Recording

    How to set up a Pro Tools session for a live orchestral recording.

  • Module 3 – Writing in Styles

    Learning to work in a range of common media styles while developing new approaches to composition.

  • Module 4 – Writing to a Brief

    What does your client want and how should you give it to them? The most challenging question facing any composer which we resolve with help from the decades of experience of our world-class faculty. We look at a wide range of areas of the industry from tv themes to production music, trailers to games.

  • Module 5 – Writing to Picture

    The technical and creative tools to score film, tv, documentary, animation and much more. Crucial insights into the role of music and its relation to the moving image.

  • Module 6 – Scoring Drama

    A uniquely challenging and rewarding environment that we explore with some inspiring projects and advice from some of the best in the business.

  • Module 7 – Game Audio Technology

    You start with an intensive course in audio middleware that you will use to implement your music in a game. You will also learn about memory budgets, CPU restrictions, game engines, different platforms and version control. Discover who does what and how game audio teams are put together.

  • Module 8 – Foundations of Game Sound Design

    Your first practice based module and you’ll be creating sound for a range of puzzle games, an infinite runner and a simulator. It’s all about learning to work to a brief and finding a creative space inside the game aesthetic. You’ll be learning about atmos loops, spot FX and dealing choosing and implementing music. The business focus is on one of the fastest growing and most accessible sectors, mobile and handheld gaming.

  • Module 9 – Adaptive Music 1

    Writing music that responds to game play and enhances the players experience is the aim of every composer. In this module you will be learning basic adaptive music strategies and implementing them inside the game using the audio middleware. Throughout the course music composition and in-game implementation will become inextricably intertwined. This time the focus is on working with very small indies, those bedroom developers who can go on to great things.

  • Module 10 - Adaptive Music 2

    In this module we extend the range of adaptive techniques and further reinforce the core skills as well as further developing creative and technical problem solving skills with yet more games and game levels to work on. The business focus is on working with medium sized indies and small teams.

  • Module 11 - Advanced Game Audio 1

    This module brings together all the individual techniques you have learnt so far. You will be applying the problem solving skills you have been developing and following a complete project workflow through from start to finish.

  • Module 12 - Elective 2

    In addition to the choice of electives from Module 2, you’ll have the additional choices of Advanced Game Music 2 and Wwise.

  • Elective - Advanced Game Music 2

    An opportunity to experiment and develop a distinctive approach, recombining the interactive tools you have learnt so far and finding a new voice as a composer.

  • Final Major Project

    This is a substantial piece of work taking 12 weeks to complete. It will take the form of a major project or portfolio of smaller projects in which you write and implement music inside a game. You will also demonstrate your ability to score for live orchestra, produce scores, Pro Tools sessions, and a professional standard sampled mock-up. You will also write a commentary on your work to explain your choices and problem-solving strategies.

  • Dissertation

    As an alternative to the final major project, you can complete a 12,000 word dissertation on a topic related to composing for video games and games orchestration. Full details are in the course handbook.

One Thousand Videos.
Access All ThinkSpace Course Materials.

There are thousands of videos available to our students and every single one is available to master’s students. You have full access to all the course materials on all our other courses, including all the degree and non-degree premium courses. Course text, videos, project materials, online workshop library – everything you could need. Choose the degree course you feel most comfortable with, and then explore new challenging areas like interactive interactive audio for games, sound design and scoring for other media.

“Having researched all other postgraduate degree programs available to me, not a single option addressed the actual nuts and bolts of music composing as this program did.”

– Jeton Murtishi
IMDB

“ I would recommend [the ThinkSpace MA] to any composer who simply wants to be better at their job, whatever their experience level.”

– Amory Leader
IMDB

Time

Full time, 24 months – 30 hours a week

Part-time 36 months – 15 hours a week

These are estimates and the exact amount of time will depend on each individual student. It includes, live workshops, one-to-one tutorials, reading and watching video tutorials and project work.

Prices

The course fee includes the cost of a live orchestral session. Full-time and part-time students pay the same.

$19950

Interest-free monthly repayments
start from £69, $96 or €87 a week.

We offer an interest-free instalment plan where you can spread the cost of your course and graduate debt-free.

Students will be required to pay a deposit on enrolling. For more information on this, please contact the course manager.

For a more detailed summary of fees and finance procedure, please visit the dedicated Student Finance page.

Buy a Postgraduate Degree Application pack: $100

Requirements

For FAQs, and more information please visit the Applications & FAQs, Student Finance and Study With ThinkSpace pages.


  • Language

    For applicants whose first language is not English, we will need you to provide an English language test certificate.

    There are several English language tests, including IELTS, TOEFL and CAE. We require you to have an overall score of IELTS 6.5 or higher to participate in the programme, with no element less than a score of 6. This equates to a TOEFL score of 79 and a CAE score of 176.
    The test must be taken before your course start date. Applications may be accepted provisionally pending test results.

    If you have completed your undergraduate degree, or any other postgraduate degree that was taught in English you will not need to take an English Language test.


  • Hardware

    You will need a computer, software and ancillary equipment (monitors, hard drives), Mac or PC, capable of producing professional quality music and audio, and recording equipment. This is the overriding principle and the following minimum technical specifications are given for guidance.

    PC:
Windows 7 or above PC laptop / desktop
Quad core 2.3 GHz processor +
16 GB RAM +
Graphics card, Nvidia GTX 550 Ti or equivalent, 2GB VRAM.

    Mac:
OSX 10.8 or above
MacBook Pro, iMac or Mac Pro
Quad core 2.3 GHz processor +
16 GB of RAM +
Graphics card, 1GB GPU, we recommend 2GB+


  • Internet

    You will be uploading and downloading a large quantity of material so you should have access to a reliable broadband connection with a recommended speed of at least 5Mbs. We have found that the Google Chrome browser is the most compatible with the webinar software we use which will also be an important part of your course. All your assignments are uploaded through the student portal on our website. Some very large uploads might require standard FTP client software, for example CuteFTP on a PC or Transmit on a Mac.

  • Music Software

    In order to mirror a real-world professional working environment, this is an intensive course with strict deadlines. As such, students must have acquired and be competent in the use of the minimum technical requirements prior to starting the course to get the most out of it. Students may be eligible for significant educational discounts.

    DAW (Digital Audio Workstation). We expect you to have a working knowledge of one DAW.


  • Game Software

    You need to have a copy of the following programs but we do not expect you to know how to use them. The exact version number of this software is important, and the version we support may change. Full information on the current approved course software version is available when on the course. Unity, Fmod and WWise are able to be downloaded for free.

    • Unity
    
• Fmod
    • Wwise


  • Game Software

    Sampled instrumental libraries sufficient to produce a professional level sampled mock-up. Eastwest Composer Cloud, the Spitfire Audio libraries or Cinesamples Symphony Bundle will all give you that sound. You need samples of individual instruments or sections, not ensemble libraries like Albion.

    These other programmes are also recommended

    • Kontakt by Native Instruments
    • Wavelab
    • iZotope RX

    • Sound Forge

    • Audio database software such as Mutant or Sound Miner.

    For queries about any other platforms, please contact the Course Manager.


  • Scoring Software

    To produce live orchestral scores and parts you will need score writing software. We officially support Sibelius, however if you wish to use Finale we can also accommodate this.

  • Academic

    Applicants should have an undergraduate degree in any subject. There is no entry by RPL for our MFA courses. If you do not have an undergraduate degree, you might be eligible to join one of our MA programmes instead.


Materials, Structure & Assessment

The course operates on a modular basis. The majority of modules count for 15 academic credits. Each credit taken equates to a total study time of around 10 hours. Total study time includes scheduled teaching, independent study and assessment activity.

Students on our MA and MFA courses learn through a mix of self-directed study (particularly of our extensive course materials) as well as through 1-2-1 sessions with our tutors and group Webinar sessions. All student work, practical or written, is assessed by our tutors (there are no exams on the course). On each module, students have an opportunity to submit formative assignments (which don’t contribute to the final grade) to receive tutor feedback and guidance before submitting the summative assignment.

Full time students are entitled to one session per week with a tutor, and students on part time schedules are entitled to one session every two weeks. The dates and times of upcoming Webinars are available to see in the student calendar in the VLE (Virtual Learning Environment). All Webinar sessions are recorded and kept in our Webinar Library, which our students have access to, meaning they have hundreds of hours of workshops and lectures to get stuck into whenever they want. These are usually hosted through the website BigMarker.

In the final three months of the programme, students will engage with self-directed independent study as they create and produce a major specialist practical project or can opt to undertake a written dissertation. Students are expected to demonstrate the ability to work independently, and to show self-motivation and critical self-awareness. Students are also expected to show significant organisational and time-management skills which assist in the timely and successful delivery of project work and research.

Contact Us

My name is Tim and I am the postgraduate Course Manager here at ThinkSpace Education. If you have any questions that you’d like answering, please don’t hesitate to fill in the contact form below, or email me at postgraduate@thinkspaceeducation.com.

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